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Rosalía Unveils “Berghain” Featuring Björk & Yves Tumor – Heralding Her Bold New Chapter
Oct
Rosalía Sets the Stage for a Monumental Comeback with “Berghain” Featuring Björk & Yves Tumor
Spanish artist Rosalía has officially emerged from her creative silence with the dramatic release of her latest single, Berghain, a bold collaboration with avant-garde luminaries Björk and Yves Tumor. The track, out on October 27, 2025 via Columbia Records, serves as the lead single from her upcoming fourth studio album, Lux, scheduled for release on November 7.Pitchfork+2Pitchfork+2
What makes “Berghain” truly striking is its fearless fusion of orchestral textures, multi-language vocals (Spanish, English, German), and high-concept visuals. The title references the iconic Berlin nightclub, hinting at themes of escape, ritual and transformation.Cadena SER+1
In the accompanying music video, directed by Nicolás Méndez, Rosalía is trailed through mundane spaces by a black-clad orchestra—symbolic, theatrical, and unlike anything she’s done before.Pitchfork
After the critically acclaimed album Motomami (2022), this marks a new era of sonic ambition. With Björk’s ethereal presence and Yves Tumor’s experimental edge, Rosalía is redefining herself and recalibrating the pop-music landscape.
Anatomy of the Track: Innovation Meets Tradition
From the very first notes, “Berghain” declares its intent. The track opens with German-language choral lines: “Seine Angst ist meine Angst, Seine Wut ist meine Wut…”—a bold, operatic statement.Just Jared+1
The orchestral swell evokes classical concertos, yet fused with industrial electronics and hypnotic rhythms that nod to techno culture and the club referenced in its title. Critics describe the track as “ambitious,” referencing Vivaldi-inspired string work and a climactic intensity reminiscent of Stravinsky’s The Rite of Spring.Pitchfork
Björk enters with her signature otherworldly tones, Yves Tumor contributes provocative urgency, and Rosalía stands at the center—executive producer of the album and architect of this sonic pivot.Wikipedia
What emerges is not a simple single meant for radio play—it’s an immersive statement piece, bridging art-pop, classical, flamenco and club culture in a kinetic continuum.
What This Means for Rosalía’s Evolving Identity
Rosalía has never been a pop star to settle for “chart fodder.” With Motomami, she rewrote expectations, fusing flamenco roots, Latin rhythms and avant-pop bravado. Now, with “Berghain” and the forthcoming Lux, she enters deeper territory.Wikipedia+1
Lux is framed as a four-movement concept album exploring “feminine mysticism, transformation, transcendence” and recorded with the London Symphony Orchestra.Wikipedia+1
Choosing Björk and Yves Tumor as comrades isn’t coincidence—it signals that Rosalía is moving into avant-pop hall of fame territory. She’s aligning herself with iconoclasts.
For fans, “Berghain” marks the moment when Rosalía re-introduces herself—not merely as a Latin-pop crossover, but as a global musical visionary.
Visuals & The Video: A Cinematic Statement
The music video for “Berghain” is rich in symbolism. The recurring image of an orchestra following Rosalía through mundane settings—apartment hallways, a jewelry store, a bus—creates a dissonance between everyday life and epic ritual.Wikipedia+1
Director Nicolás Méndez previously collaborated with Rosalía on “Malamente” and “Pienso en tu mirá,” so the visual language here builds upon her earlier iconography—but evolves it.
Colors, textures and movement in the video suggest dualities: public vs private, ritual vs rebellion, intimacy vs spectacle. It’s a fitting match for a song that merges classical choir and underground club ethos.
Reception & Fan Response
“Berghain” has sparked intense online discussion. Reddit threads celebrate its boldness:
“This is why Rosalía’s new album I’ve been most excited about… Björk? Yves Tumor? She’s not playing with this.”Reddit
Media outlets highlight the sonic ambition and multilingual presentation.ElHuffPost+1
While it may not chase commercial –radio-friendly structures, it has thrust Rosalía into a conversation about pop’s evolving frontier.
Context in the Album Roll-out
“Berghain” isn’t only a standalone single; it functions as the flagship of the Lux era. The track appears in the album’s second movement and sets the tone for what’s to follow: 18 tracks, cross-genre collaborations, and a dramatic arc.Wikipedia+1
As the lead single, it introduces the world to a new Rosalía—one who treats the pop field as a canvas rather than a formula.
What Comes Next & The Broader Impact
With this release, Rosalía is poised to impact not only the charts but broader cultural discourse. She’s proving that Latin artists need not fit into strictly Latin-pop boxes—they can transcend genre, language and geography.
Featuring Björk—an icon of experimental pop—opens doors into new institutional spaces of music. Collaborating with Yves Tumor adds credibility in cutting-edge scenes.
Lux will likely be one of the most eagerly awaited albums of 2025, and “Berghain” has certainly raised the stakes.
Final Thoughts
“Berghain” is more than a new single—it’s a declaration. Rosalía is transforming, scaling larger artistic ambitions, and positioning herself as a boundary-defying creator. The track’s orchestral foundations, multilingual vocals and high-concept visuals make it a landmark in her discography.
For listeners, it offers both challenge and excitement: the comfort of a star you know, and the thrill of the unknown direction she’s willing to explore. For the industry, it’s a reminder that pop can still surprise, innovate and move beyond the expected.
This is Rosalía entering her next era—and “Berghain” is the rallying cry.
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